Boswell traces the ways in which black women’s fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society.
This is an erudite analysis of ten well known writers, spanning both the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women’s fiction could and should be read as a subversive site of knowledge production in a setting which, for centuries, denied black women’s voices and intellects.
Reading their fiction as theory, for the first time these writers’ works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.
